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Showing posts with label Hindi Movies. Show all posts
Showing posts with label Hindi Movies. Show all posts

Department Hindi Online Movie 2012 And Review

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Department Hindi Movie 2012 Review:
Director : Ram Gopal Verma
Music : Dharam-Sandeep, Bappa Lahiri and Vikram Nagi
Lyrics : Vayu, Shabbir Ahmed and Sandip Singh
Starring : Amitabh Bachchan, Sanjay Dutt, Rana Daggupatti, Anjana Sukhani and Nathalia Kaur
Department Movie Review
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'Ho Gaya Publicity' - This single moment of outburst by a don-on-the-downfall (Vijay Raaz) raises good enough chuckle during DEPARTMENT which otherwise hunts for such relief in an over two hour long affair that has an action sequence practically in every 10 minutes. That by the way is a tad too long to digest since one expects a dramatic outing from Ram Gopal Varma instead of a film which only has one action sequence after another.

As for the 'Ho Gaya Publicity' stunt, it is a gem indeed from Vijay Raaz as he reprimands his small time gang members (Abhimanyu Singh, Madhu Shalini) from being overzealous in their approach to take on encounter cops (Sanjay Dutt, Rana Daggubati) who only end up raising further heat on them. The reason why Raaz is not-so-supportive of Abhimanyu-Madhu's misadventures is hinted towards the dying moments of the film (a good story angle, which sadly hasn't quite been nurtured to the fullest) but by then DEPARTMENT turns out to be an extended action affair that could have done with more such one liners and drama.

What is interesting though is the character played by Amitabh Bachchan who never even aims at being menacing and while he neither borders on being the 'Babban' of RGV KI AAG nor the 'Subhash Nagre' of SARKAR, it is his mind games which one does remembers after DEPARTMENT is through. The problem though again lies in the exploitation of this episode as is the case with some genuine twists that are left only at the surface without being churned out to the fullest. There are at least a couple of superb turns that the film takes, both in the first and the second half of the film, but surprisingly Ramu adds such mundane scenes immediately after them that ends up diluting the impact that had just been created.

However the film goes for a toss in the second half as it shifts towards Abhimanyu and Madhu. In particular, the chief culprit here is Abhimanyu who makes one wonder whether he is the same guy who came tops in GULAAL, RAKHT CHARITRA or that menacing cop in 'I Am'. In 'Department', he only ends up being a gangster spoof that just doesn't work. Another spoof is the very item number featuring Nathalia Kaur. Yes, Sanjay introduces it well as the item number it is supposed to be but if the journey around Nathalia's thighs and crotch was the idea behind it then well, a porn clip could have just done the trick.
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What works though is Rana Daggubati who stands out as the central protagonist of the film. Convincing and boasting of a good screen presence, Rana shows yet again that he could be the man for the job if put into a dramatic/action genre. On the other hand Sanjay Dutt looks disinterested and if one has to compare this with his last few movies then well, he seemed to have had much more fun even in RASCALS, leave aside AGNEEPATH. Anjana Sukhani, after being short-changed in her earlier multi-starrers like GOLMAAL 3, SALAAM-E-ISHQ, actually finds herself a part of the film from start to finish and does rather well.

Technically speaking though, one has to give it to Ram Gopal Varma for not just attempting but going all out in making sure that not even a single frame of DEPARTMENT belongs to 'seen-that-done-before' style. However that turns to be bane rather than boon because it is this very technology that consumes him in his storytelling. The camera angles are definitely innovative but instead of being an experimentation towards the narrative, they turn out to be the very narrative that only ends up killing that impact that could have been created.

While Ramu must have thought that it would be a good enough reason for majority to check out DEPARTMENT, it only threatens to be a definite put off for most. Add to that a pencil thin storyline on which it bases itself and there is a ticking bomb that ends up exploding on the face of everyone involved.

Rating - 2/5

Ishaqzaade Hindi Online Movie Full 2012 And Review

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Ishaqzaade Hindi Movie 2012 Review:
Habib Faisal's directorial debut DO DOONI CHAAR, starring Rishi Kapoor and Neetu Kapoor, depicted the aspirations of a middle-class family. It won immense critical acclaim, appreciation of the viewers and the Best Hindi Film National Award. Now his second film ISHAQZAADE has generated tremendous buzz thanks to its raw and edgy trailers, likable music and also for its setting -- the Hindi belt where guns still reign supreme. And you aren't disappointed either, for the film meets the lofty expectations, assuring you that the 2+ hours were well worth it!

Yash Raj Films returns to the era of action after a hiatus, but they have not done away with their core USP, romance, as ISHAQZAADE is a passionate love story, which is the emphasizing theme of the film. In fact, ISHAQZAADE is not only about aggression and romance, you also get a glimpse of the arrogance and conceit of people in small towns in India.

The story unfurls in the idealistic and intimidating scenario of North India. ISHAQZAADE depicts the love story of two defiant, rebellious individuals. A passionate love story ignited by extreme dislike. It revolves around two disputing political families, two fiery individuals and their battle for control and superiority. The two characters, Parma [Arjun Kapoor] and Zoya [Parineeti Chopra], who have been told since early days to detest each other, are almost equipped to eradicate each other and then something happens in their life post which they realize they are actually quite alike. They start wondering when we both are so similar in our personality and stance, why have we got this extreme dislike for each other?

In such a setting, when two people, who have been loathing each other all this while, fall in love, things go askew.

The chemistry between Arjun Kapoor and Parineeti Chopra on screen certainly follows the model of the chemistry that was created in DILWALE DULHANIA LE JAYENGE, BUNTY AUR BABLI and BAND BAAJA BAARAAT. It's infectious and that, in my opinion, is the hallmark of the film, besides the script of course. In the initial portions, both Arjun and Parineeti are at loggerheads, bartering cusswords, flaunting guns and trying to be one-up on the other. Their love story towards the middle of the first part is equally electrifying and the portrayal by Arjun and Parineeti gives the film the required sheen.

The post-interval portions have several euphoric moments. The heated conversation involving Arjun's mother and the aftermath is brilliantly penned and executed. Ditto for the sequence when Arjun apologises to Parineeti in this hour. It's truly emotional! The only hitch is that the film slows down before it reaches the finale thanks to some unwanted sequences [the sequence in the laboratory] and some songs in this hour. The culmination to the film is a highpoint and mirrors a reality as well.

Habib Faisal belongs to a fresh class of writers and film-makers who does away with the beaten to death drama that one gets to watch in films of this genre. Filmed at actual locations of Uttar Pradesh, the story of ISHAQZAADE has universal appeal and could have been set in any of the big cities, but the small town milieu lends the plot a kind of passion missing in large metros. Perhaps, the magnetism towards love is that much stronger in a small town, also the conflict of the people opposing love is manifold stronger likewise.

Amit Trivedi, one of the most gifted and skilled musical talents, comes up with a harmonious and pleasant-sounding album. 'Ishaqzaade', 'Pareshan', 'Aafton Ke Parinde and 'Chokra Jawan' -- each of those tracks are popular already. The best part is, the songs of ISHAQZAADE have not been filmed on romantic landscapes, but at humdrum locations, which makes it so real and very much in sync with the mood of the film. I'd like to make a special mention of the cinematography [Hemant Chaturvedi], which captures the essence of North India and the rustic flavor so well. The background score [Ranjit Barot] adds a lot of pep, while the action and chase sequences [Sham Kaushal] are wonderful.

Arjun Kapoor makes a fantastic debut. He has a peerless body language and a 'I-don't-give-a-damn' kind of an approach in the movie. The youngster, with his untidy look and impish smile, has already won female reverence prior to the release of the film and after having watched him emote, you can confidently say that he's blessed to depict this rebellious character in his launch vehicle itself. He comes across as fiery and rustic and at the same time self-assured and assertive in this reckless and intrepid character.

To acquire a film of this scale and magnitude is a triumph by itself for a beginner, for a script and character like this happen once in a while. Parineeti Chopra is simply fantastic in this high-voltage drama. Playing the part of a spirited gun-toting girl, she is not the regular timid, decorous, withdrawn Hindi film heroine. She portrays the violent behavior coupled with the audacious and brash attitude with aplomb.

Gauhar Khan is lovely in a special role. Also, she dances very well in the two tracks. Anil Rastogi [as Arjun's grand-father], Natasha Rastogi [as Arjun's mother] and Ratan Rathore [as Parineeti's father] are natural to the core.

On the whole, ISHAQZAADE, a volatile and intense story with ample doses of fanatical romance, should appeal to a pan-India audience. This broadly engaging love story has a winsome pair who deliver dexterous performances, besides popular music and several poignant moments, which should appeal to fans of mainstream films. Go for it!

Dangerous Ishhq Hindi Movie Online 2012 And Review

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Dangerous Isshq Hindi Movie Review 2012:


Dangerous Ishhq Movie Review
Director : Vikram Bhatt
Music : Himesh Reshammiya
Lyrics : Shabbir Ahmed and Sameer Anjaan
Starring : Karisma Kapoor, Rajniesh Duggal, Jimmy Shergill, Divya Dutta, Ruslaan Mumtaz, Samir Kochhar and Gracy Singh

view DANGEROUS ISHHQ video
If life was so simple and understanding problems of your present life meant sleeping on a reclining couch under the guidance of a doctor who quotes from a book about past life, all problems would have been solved. But then life is not so simple and just blaming the issues on what is happening in the 'here and now' on the 'there and then' is being an escapist. This is what exactly happens to Sanjana (Karisma Kapoor) after her boyfriend Rohan (Rajneesh Duggal) is kidnapped from their beach house.

Sanjana suddenly starts seeing things and her friend terms it as hallucination. But the friend realizes that Sanjana is telling the truth when she reads Urdu, something she has never learnt. Perhaps she knew it in her past life suggests her friend and takes her to a doctor of another kind.

CHECK OUT: DANGEROUS ISHHQ Music Review

Here, the doctor tells her she can take her to her past life and in a jiffy has her reclining on a couch. She mouths some sentences, tells her she will see a bright light near her forehead, which will illuminate and then she will enter a lift which will descend and she will see where she came from. Voila! That's exactly what happens. Sanjana is in Pakistan and the year is 1947. From Here Sanjana, gets clues as to who could be behind the kidnapping. During the course of the movie, we also learn that Sanjana and Rohan have been romancing since the 1500s and they never got married as someone else interested in Sanjana was always tearing them apart. That someone is a person close to them and though Sanjana and Rohan look the same, the other man comes in different guises. So will they marry in this life, in 2012? That is what DANGEROUS ISHHQ is all about.

The movie begins with a whimper, gets into thriller zone after 20 minutes and then meanders along with one past life after another which makes it more a costume drama than a thriller.

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Vikram Bhatt's obsession with past life falls flat as he tries to grab thin air. If the person behind the camera is not really convinced about past life, how will he convince his audience? All you see is child-like fantasy. I'd say a lot of money has been invested in a 3D movie on a topic which turns into comedy mid-way.

CHECK OUT: Vikram Bhatt - When Karisma does a film, it has to be special

Karisma Kapoor making a comeback after her marriage is good in patches. Initially, she is a little clueless with no energy neither in her body language nor in her dialogue delivery. Rajneish Duggal is put in different costumes in different eras. It is only Jimmy Sheirgill who brings in that much-needed intensity that gives this film some sort of respectability.

If you are looking exclusively for some 3D visual entertainment, go for it.

Rating - 2/5

Jannat 2 Hindi Movie Online 2012 And Review

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Jannat 2 Hindi Movie Review 2012:
The Bhatts have the utmost number of films which have developed into a victorious franchise. MURDER 2 has hit the bull's eye, JANNAT 2 opens this Friday, while RAAZ 3 and AASHIQUI 2 arrive later this year. So what does a film franchise precisely connote? It symbolizes a series of films wherein the title and certain constituents of a movie remain the same, but the story alters in every installment. JANNAT was about a man's pursuit for heaven, the gluttony to attain the extravagance in life as hastily as possible. But there's a disparity between the two motion pictures. JANNAT explored the dark side of the cricketing world, while JANNAT 2 underlines arms trafficking.

Arms trafficking, also known as gunrunning, is the unlawful trading or smuggling of contraband weapons or ammunition. We have witnessed a number of films on drug trafficking and human trafficking, but arms trafficking has a far more deadly effect on humankind. JANNAT 2 is an unsettling motion picture that exposes the arms trade in the capital. Illegal arms are sold and bought with effortless ease and this film throws light on how the ammunition reaches the hands of the common man. The unlawful weapon trade is a flourishing business that JANNAT 2 enlightens you about. For the first time, I guess, a Hindi movie explores the precarious issue, with a stimulating romance elegantly interlaced in the narrative.

Much like Bhatts' past endeavors that borrow from factual life, JANNAT 2 is a well-explored theme. Thematically, there is a traceable semblance with the Nicolas Cage starrer LORD OF WAR, which was about international arms trading. Conversely, JANNAT 2 is very desi at heart and strives to shed light on the illicit weapons trade in North India. JANNAT 2 is a compelling account of a conflicted man who ultimately faces the effects of his deeds. The movie advocates that firearms and cartridges are the actual perpetrators accountable for the fatalities and killings of blameless people. JANNAT 2 is ingeniously fashioned and skillfully filmed, while the characters are pertinent and compelling.

Sonu [Emraan Hashmi] is a smooth-talking street-smart gunrunner, who has the gift of the gab and knows his trade inside out. ACP Pratap [Randeep Hooda] is a hardened maverick cop, who has a personal vendetta against the gun nexus. He will go to any lengths to crack down this nexus and he handpicks Sonu to do this job, as he is the perfect candidate to enter this racket undercover and expose everybody involved in the unlawful weapon trade.

Sonu falls in love with a young doctor Jhanvi [Esha Gupta] along his journey and that throws his life's course into a tailspin with unforeseen and far-reaching consequences for all three of them.

Emraan is not merely the protagonist of JANNAT 2, in view of the fact that the entire film is told from his standpoint, he's also the chronicler of the film, guiding the viewer through the events of the movie and in actual fact unraveling the story on screen. While the movie relies profoundly on Emraan's amazing abilities, director Kunal Deshmukh and writer Shagufta Rafique deserve brownie points for the movie's visual technique and taut writing. The duo justly enlighten us about the millions involved in the illegal trade and how many hands a single bullet passes through on its trip from its creation to its ultimate destructive use. JANNAT 2 is not a light-hearted movie or an action flick as the trailers may try to depict. Some of those elements are also part of it, but at the end of it all, the motion picture has a persuasive message to transport. An incredibly compelling film on a solemn issue!

While the first hour of the movie sets up the stage for a fascinating second hour, it's actually the intermission point that literally sets the ball rolling. Kunal and Shagufta reserve the best for the post-interval portions. The drama is captivating and the graph of the film only scales uphill. The twists and turns in the plot [followed by a super suspense towards the end] and the vital chase sequence in the dargah form the major highlights of the film. In fact, getting the second hour right is nothing short of a challenge for film-makers and a majority of films stumble and stagger in this hour, but not JANNAT 2. The tempo is consistent throughout; maintaining the undercurrent of anxiety unswervingly. There's no tedious moment, it keeps the spectator absolutely engrossed in the on-screen occurrences. The Northern flavor coupled with the acidic dialogue [Sanjay Masoom], lingo and abundant usage of expletives makes it appear so very bona fide. All things considered I must adjoin at this juncture that every part of the lavish praise and plentiful admiration for this spellbinding fare goes to its proficient director, Kunal Deshmukh.

JANNAT 2 is a tremendous album, with Pritam delivering a rich soundtrack. The placement of songs is most appropriate as well. I'd like to make a special mention of the background score [Raju Singh]. It's electrifying! The DoP's [Bobby Singh] contribution is commendable. His images are so significant to the attitude of the motion picture. Ditto for the action and chase sequences [Javed-Ejaz].

Emraan Hashmi plays Sonu Dilli, a street-smart brat who is a combination of fortitude and charisma, effortlessly. Trust me, you cannot envision anyone else doing what he does. Emraan, with his credible act, makes the devil seem charming and wickedness, charismatic. In fact, the actor is sure to astonish you with the mellowness of his performance. Randeep Hooda made you sit-up and notice his talent in ONCE UPON A TIME IN MUMBAAI and SAHEB BIWI AUR GANGSTER and now, once again in JANNAT 2, the actor delivers yet another knockout performance. He dominates in several sequences, making you realize that if given an opportunity, the guy can steal the thunder from the best of actors.

Debutante Esha Gupta enchants you with her captivating charm. She appears a tad unrefined at places, nonetheless she handles her part assertively. Manish Chaudhuri, who was wicked as hell in the recent BLOOD MONEY, outshines himself in JANNAT 2. He's simply superb! Brijendra Kala is admirable as Randeep's trusted colleague. Sumit Nijhawan, as Sarfaraz, is effective. Mohd. Zeeshan Ayyub, as Emraan's friend Balli, is top notch. Arif Zakaria is excellent.

On the whole, JANNAT 2 is an engaging film with tremendous appeal for the masses. An absorbing story, a swift and coherent narrative, exemplary direction, fantastic action, soothing music and stellar performances summarize the highlights of this triumphant franchise.

Tezz Hindi Movie Online 2012 And Review Full


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Tezz Hindi Movie Online 2012 Review:
Director : Priyadarshan
Music : Sajid-Wajid
Lyrics : Jalees Sherwani and Shabbir Ahmed
Starring : Anil Kapoor, Ajay Devgn, Kangna Ranaut, Zayed Khan, Boman Irani and Mohanlal
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TEZZ is the second film of the week set within a day. It's breezy and Tezz, as the name suggests. Priyadarshan, best known for comedies, gets his cast off the blocks in a jiffy, and there's action right from the word go. If you are looking for some slick action drama, then hop on to this train with over 500 people on board from Glasgow to London.

Aaakash (Ajay Devgn) has planted a bomb on this train. His demand is a huge sum in ransom which the government is not in favour of. Arjun Khanna (Anil Kapoor) is the Counter Terrorism Command who has just retired. As he prepares to board his flight to India, he is asked for 'just one more day', to help negotiate with the terrorist.

Boman Irani is the head of the London rail network. His daughter is also on the ill-fated train. As the call of a bomb comes in along with the demand for ransom, everyone is on their toes. If the train drops its speed below 60 miles per hour, lives will be lost. Will the ransom demand be met and the bomb diffused in time?

CHECK OUT: Anil Kapoor - TEZZ is not a mere action thriller

Set in London, the film moves at a brisk pace at most times, but what takes away is the way Indians dominate in the UK - be it a terrorist (Ajay), Counter Terrorism Command (Anil) or Boman. All the plum posts are held by Indians! Moreover, Aakash is not your hardcore terrorist, but just someone who wants to get back at the system for taking away his innocence and jeopardizing his family life.

How he trains himself to handle explosives, or why Megha (Sameera Reddy) or Aadil (Zayed Khan) help him out are deeper mysteries. Why would they want to turn criminals for Aakash? The only logical explanation offered is that Aakash helped shield them when they did not have their proper work documentation. His paperwork too was incomplete. So he was deported, his marriage questioned, his accounts frozen and in short his life thrown out of the window. His wife Kangana Ranaut (absolutely unimpressive) and he failed to get in touch for four years. Aaksah later tells his wife that he sent her many emails. If only she had replied to one, there would have been no situation to bomb a train and his life would not have spiraled out of control!

Life Ki Toh Lag Gayi Hindi Online Movie And Review 2012


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Life Ki Toh Lag Gayi Movie Review 2012:
Director : Rakesh Mehta
Music : Vinay Jaiswal and Pradeep Kotlana
Lyrics : Vinay Jaiswal
Starring : Kay Kay Menon, Pradhuman Singh, Ranvir Shorey, Manu Rishi and Neha Bhasin

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LIFE KI TOH LAG GAYI is a typical Bambaiya story. Set in Mumbai, director Rakesh Mehta portrays four stories which finally merge into one at the climax. Mehta infuses the elements of love, lust, revenge and ambition. But what is sorely missing is an item number that could have jazzed it up a bit. Considering the setting is in Mumbai, there were opportunities galore to pump up the tempo. Importantly, it has good music that sets the mood of the movie. The rock ballads may not be remembered once you leave the theatre, but it does mesmerize when it's playing during the situation on screen. I would say a good opportunity lost here.
LKTLG is a story about four people. Salman (Kay Kay Menon) is a builder who is in search of those who killed his parents. ACP Chautala (Manu Rishi Chadha) is a tough cop who is a Mama's boy. He has the unenviable task of tracking down drug peddlers within 24 hours. Amol Ganguly (Ranvir Shorey) has been jilted in love. He rushes from the UK where he is working as a chef to 'rescue' his girlfriend. He later realizes that he has been ditched. Finally there is Dolly (Neha Bhasin) who has run away from Chandigarh to make it big in Bollywood. Once here, she realizes she has been conned and refuses to go back until she gets even. There's also Pradhuman Singh, Shakti Kapoor and Asrani. All three are weak links in the plot that actually take away any intensity that the film is trying to build up.

Recently we have had CHAALIS CHAURASI, a typical masala film that spans 24 hours and a few years ago there was EK CHAALIS KI LAST LOCAL. While the Box Office may not have been rattled, these two films were different in their content, and approach. LKTLG too is different from the two (although it spans 24 hours), but the weak links play a spoil sport. Apart from the three mentioned earlier, the track between Neha and the hotel manager and later at a gambling table are contrived. In fact, Neha fails to put soul into her role which could have made a huge difference to the film. Ranvir Shorey, too is a letdown. There's no conviction in his approach to the role as a jilted lover. Pradhuman's forced lunacy too is a disaster.

Watch Hate Story Hindi Online Movie And Review 2012

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Hate Story Hindi Online Movie Review:

Director : Vivek Agnihotri
Music : Harshit Saxena
Lyrics : Kumaar and Shabbir Ahmed
Starring : Gulshan Devaiya, Paoli Dam, Nikhil Dwivedi and Bhairavi Goswami

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For a Bollywood debut, Paoli Dam could not have asked for a better deal. The actress who is a known name in Kolkatta has an author-backed role focusing on her character. And to be fair, she does make an impact with her performance. You can't term it as a 'wow debut', but it certainly is a decent performance.

CHECK OUT: Paoli Dam's bare back HATE STORY posters painted blue

There is no novelty in the story. It is the usual vendetta saga. Kaavya (Paoli Dam) is a newspaper reporter. Along with the help of her friend Vicky (Nikhil Dwivedi), she exposes a scam in a firm dealing in cement. Siddharth (Gulshan Devaiah), the MD of the firm is chastised by his father and asked to set the record straight in 12 hours. He manages to convince the CEO to take the blame. That settled, he offers Kaavya a promising deal in his company. He convinces her that he is impressed with her talent.

Soon, she helps him seal a bigger deal and within a month, she finds herself thrown out from the organization after being humiliated. This after Siddharth has lured her into his bed. Then begins the cat and mouse game, with Kaavya wanting to avenge her humiliation and bring Siddharth to his knees for betraying her trust.

Watch Vicky Donor Hindi Movie Online And Review 2012

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Vicky Donor Hindi Movie Review 2012:

Director : Shoojit Sircar
Music : Abhishek & Akshay, Ayushman Khurana
Lyrics : Vijay Maurya, Akshay Verma, Swanand Kirkire, Kusum Verma, Juhi Chaturvedi, Rochak Kohli, Annu Kapoor and Ayushman Khurana
Starring : Ayushman Khurana, Annu Kapoor, Yami Gautam and John Abraham

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The story per say may not have healthy males rushing to donate sperm. But it does drive home a point. Dr Baldev Chaddha (Annu Kapoor) who runs a fertility clinic and a sperm bank in New Delhi's Daryaganj area aptly explains the reason for cases of childlessness (read infertility). 'Stress,' he says is the one major factor. 'Husband is busy at work, he spends three hours going through and fro and when he is home he is again immersed in work leaving no time for his wife.' On the contrary, he says, villagers are more potent with birth rate on an increase!

The characterization and casting has a huge impact. In fact, that is the biggest plus after the 'out of the box' topic. The situations that arise sometimes have you in splits, and I believe it was never intentional. It's just the sheer genius of the actors and the director to let the situation be and go with the flow. More of that later, as we will first dwell on Dr Chaddha's problem at hand.

CHECK OUT: Ayushmann Khurrana - Vicky is very much me

Dr Chaddha has more failed cases to his credit than he can handle. The pressure from couples for healthy sperm is mounting and Dr Chaddha chances upon Vicky Arora (Ayushmann Khurrana) in his neighborhood. His vast experience tells him that he is the man for his job. He then begins chasing Vicky to impress upon him the need. Vicky's mother (Dolly Ahluwalia) runs a beauty parlour from home and has to constantly face questions from neighbours as to when Vicky will start working. Vicky finally gives in and when his sample test proves what Dr Chaddha believed, business booms for both of them.

Suddenly, Vicky is flush with funds, not only from Dr Chaddha but also from happy parents who shower Dr Chaddha with money and gifts. Dr Chaddha passes on the 'bonus' to Vicky as well. No one yet knows Vicky's secret.

Vicky soon pursues Ashima Roy (Yami Gautam) who works in a bank. He is a North Indian and she is a Bengali. Ashima knows that Vicky is a business man who deals in 'Handi'crafts', while Dr Chaddha is his business partner. Will she ever learn the truth of her husband's past. And if she does, what will the reaction be? Is it ethical to donate sperm and does children from the donor legally bind the father to the many children he could have sired? While the last question is not addressed, the ethical issues are looked into.

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