Chalo Dilli Hindi Online Movie And Review 2011

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Chalo Dilli Hindi Online Movie Review 2011:

Film: “Chalo Dilli”

Starring: Lara Dutta, Vinay Pathak

Directer: Shashant Shah

Rating:

Once in a while you come away from a film with a lot more than you expected. Except for a somewhat flabby 15 minutes post-interval, “Chalo Dilli” sparkles with the pleasurable punchy emotions that we seem to have forefeited in our journey from the cinema of Basu Chatterjee to the present day films of the Kashyaps and Bazmis of the show-world that are all form and virtually no content… with very little contentment to take home.

“Challo Dilli” is a film with a lot of heart, and some soul. There are practically just two characters in the skillfully-conceived plot about two mismatched travelers on the road from Mumbai to Delhi via Jaipur and places in Rajasthan you had never known about until now.

That the two seemingly-incompatible traveling companions are played by Lara Dutta and Vinay Pathak is a stroke of good fortune that takes the story much further than it would have gone in the hands of two other actors. Before any more comment on the captivating product, let’s speak right away about Vinay Pathak, whose unorthodox personality and talent have been on the look-out for suitable resting places since the unforeseen success of “Bheja Fry” four years ago.

In “Chalo Dilli”, Pathak as the Dilliwala with a heart many sizes larger than his luck and bank balance sheds so much solar energy into the plot you feel grateful that someone out there in the mediocrity-infested entertainment industry looks out for talent like Pathak’s.

And Lara Dutta? Quite easily one of the most beautiful and underrated actresses of our times. She’s smart, sexy, savvy and supremely confident. What has stopped her from cracking the top rungs of stardom? You think about this quite frequently while watching her make all the correct moves as the hoity-toity investment banker who misses her flight but gains so much in terms of human experience that you wish we would all miss our flight if we don’t want to miss the bus as complete human beings.

Apart from the wrong use of the word ‘forcefully’ in place of ‘forcibly’ for Lara’s character the people in director Shashant Shah’s film remain true to their words.

Really, you can’t catch the people in Shashant Shah’s films making false moves. Whether it is the cabbie who falls asleep on the deserted highway, or the bashful truckdriver who gives Vinay and Lara a ride, or the rashogolla-sweet Bengali couple on the train, you can’t miss the heartwarming sincerity of this little film with a big heart.

Ironically Akshay Kumar strikes the only false note. When towards the end he appears to laugh out loud at Lara’s adventures he sounds as though he’s just being polite. Not quite the emotion that we expect in a film that is all heart. No two ways about it.

“Challo Dilli” follows that refreshing trend of capturing India’s heartland in all its sleepy supine splendour. It was Imtiaz Ali who in “Jab We Met” started the trend of making his protagonists travel across places in India that had gone out of favour in recent times. The recent “Tanu Weds Manu” carried forward the trend of traveling into the small towns.

“Chalo Dilli” is an absolutely enchanting and heartwarming journey into the heart and the heartland. Skilfully scripted and with credible dialogues (Arshad Syed) and situations that you immediately recognize it revives the joy of the road movie back.

Nope, you can’t imagine any other two actors but Lara and Vinay in the two main parts.

“Chalo Dilli” is a far more accomplished work than many of the big-budget monstrously unfunny comedies that infest the silver screen. Very often you find your face breaking into a smile as you watch the sophisticated female entrepreneur opening up her emotional vaults to the experiences that the Jaipur-Delhi route offer.

At one point in a roadside dhaba she stares pleasurably at the sunrise. ‘Iss mein kaun si nayi baat hai?’ guffaws the street-smart Pathak.

“Chalo Dilli” connects us to the basic element of the cinematic experience. It is all about the heart and the heartland.

- IANS

Shor In The City Hindi Online Movie Full Free 2011 And Review

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Shor In The City Hindi Movie Review 2011:
Film: “Shor In The City”
Starring: Tusshar Kapoor, Sendhil Ramamurthy, Sundeep Kishan, Pitobash Tripathy, Preeti Desai, Radhika Apte, Girika Oak
Directer: Raj Nidimoru, Krishna D.K.
Rating:

I saw the future of Hindi cinema. And it’s got a name. “Shor In The City”. They say Mumbai never goes to sleep. Catching the restless on-the-edge mood of a city and its people who refuse to fall off that edge of the hurtling local train that takes thousands of destinies every day to their work and then back home, “Shor…” throws forward the kind of seductive cinema that makes you think about the quality of life we all lead, irrespective of the city that we occupy, or rather, the city that occupies us.

Mumbai, in co-directors Raj Nidimoru and Krishna DK’s scheme of things, is that giant monster that consumes everything that moves. The characters are all casualties of that traffic-jam freedom that comes to a commuter stranded in the middle of a highway in a car with nowhere to go and nothing to do with time than to spend it in idle retrospection (with or without music playing in the background).

The mood of this tense, clenched and thoroughly gripping humane thriller is so spiritedly Mumbai-centric you applaud the director’s vision after the last shot of the work swishes by. The rapid movements of images of extreme emotional crises and the ensuing violence, are so skilfully put forward you don’t feel you are being manipulated into staying riveted to the screen. You flow with the frenzied pace of a people whose lives are out of control.

“Shor In The City” pins you down to its brilliant screenplay from the first frame when we see the three waylaid youngsters Tusshar, Nikhil Diwedi and Pitobash negotiate the crowded streets of Mumbai in search of prey. The characters work both as predators and as victims. They feel the gun gives them the right of way when, in fact, the traffic snarl of life has got them by their balls.

There are three protagonists with their ‘Mumbai’ stories to tell. Sawan (Sundeep Kishan) wants to play national-level cricket. Tilak (Tusshar) wants to give up a life of crime to focus on reading and housekeeping (in that order). But the most interesting strand in the lucid lineup of conflicted characters is the NRI Abhay (Sendhil Ramamurthy), whose dreams of setting up his own business in the city are turned into a nightmare by goons who muscle into his work-place and life with menacing insidiousness.

The interaction between the NRI and the goons is chilling to the core. So real because they sound so unrehearsed. Abhay’s lapse into a life that he had probably left behind, is charted in a zigzag of humour and irony.

The pace is so relentless, we don’t even get a chance to applaud the even narration that defines these jagged lives as they hurl towards a karma that we are not allowed to guess.

The co-directors succeed in remaining many steps ahead of the audience. The masterly editing (Ashmith Kunder) and the moody earthy cinematography (Tushar Kanti Ray) aids the director in building a conflagration of compelling montages that add up to a climax that doesn’t quite add-up…and rightly so. There are no neat conclusions to these lives that are stuck in their desperate bid to escape their karma.

Karma, the theme song tells you, is a bitch. Watching the people who move through their designated anguish with such furious fluency, you have to agree with the opinion that destiny deals a bitchy blow to most working-class people in the cities.

“Shor In The City” is a work suffused in an inspiring glory. The characterization is so precise and the dialogues so perfectly attuned to the minds and hearts of the characters you wonder which came first. The people in the film. Or the film itself.

I have not seen a film so filled with credible performances in a while. Even the smallest cameo is done by the perfect face and personality. Whom do we single out without doing injustice to the rest? But yes, Tusshar as the bad-boy finding salvation in books and wife gives an interesting spin to his character. This is a far cry from his over-the-top Golmaal escapades.

Nikhil Diwedi and newcomer Pitobash as Tusshar’s accomplices are entirely in tune with their characters blending so well with the milieu you are sure no one gave any of these actors a second glance on the streets of Mumbai where the script often ventures out.

Sundeep Kishan as the boy who wants to play cricket and get married brings a certain simplicity to the tangled goings-on. You could say he’s the voice of innocence in the cacophony of selfserving diabolism. Among the female characters Radhika Apte as Tusshar’s simple but strong wife reminded me of Tabu in “Viraasat”.

There are stand-out cameos by Amit Mistry (as a street goonda who specializes in organizing dharnas), Zakir Hussain (as an extortionist) and several other actors who bleed a brilliance into the plot for just fleeting moments before vanishing into the crowds of Mumbai.

Yes, the city has been savage and inviting before in the cinema of Raj Kumar Santoshi and Ram Gopal Varma. But never so funny. There’s a moment when a little boy whose foot Tusshar thinks has been blown away by a mistimed bomb, stands and dances in the Ganpati visarjan.

That moment defines the cutting edge of the humour in “Shor In The City”. If Mumbai is troubled by violence and greed it survives so splendidly because it never takes its problems to heart.

Don’t miss this outstanding ode to the city of dreams, goons, guns and glory.
- IANS

Ragini MMS Hindi Online Movie 2011 And Download

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Ragini MMS Hindi Movie Review:
Ragini MMS Hindi Movie Review:
A strongly feel that if you do not have a colossal budget on hand, then you need to make up for that with an even better concept. Let's not forget, big ideas work big time. In fact, hi-concept films made in skeletal budgets is the new mantra in Bollywood. The next time budgetary constraints prevent you from working with an A-list star, don't sweat. Formulate hi-concept films instead!

Take an interesting concept. Make it within a stipulated budget, not exceeding Rs 2 cr/Rs 3 cr. Spend a good amount on its marketing. Create ample awareness. Chances are you might find the pot of gold at the end of the rainbow. Ekta Kapoor has been doing this successfully. Recall LOVE SEX AUR DHOKHA. Now RAGINI MMS, which has been made at a shoestring budget of Rs 1 cr [or slightly more] in two versions - Hindi and Telugu.

Write your own movie review of Ragini MMS Ekta's new offering is making noise for the right and wrong reasons... The stand-off between the real Ragini and Ekta, angry locals pulling down hoardings of this film, even blackening the faces of the lead pair on its posters, usage of a popular song from JEWEL THIEF, censors finding a few scenes very explicit, the threesome party hosted by Ekta a few days ago... RAGINI MMS is the most discussed film of recent times.


The horror genre hasn't been tapped to the fullest in India. Most horror films made in Bollywood are just not petrifying enough to make you break into a cold sweat. What works in favor of RAGINI MMS is the fact that first-time director Pavan Kirpalani chooses a scandalous, real-life story and garnishes it with sex and horror. It can't get more lethal than that. It works with those with an appetite for horror films and also with those who love titillation and skin show.

Like LOVE SEX AUR DHOKHA, RAGINI MMS has been shot as if in real time, in an unconventional way. The film is voyeuristic in nature. It's like watching the footage on a handycam and getting those thrills. But, of course, not all of RAGINI MMS is sex and scandal. There's a 'third person' watching the act as well, plus there's a story behind this haunted mansion. However, it's terrifying enough to make you jump on your seat. Let me call it a creepy, spine-chilling date movie!

The movie teases the viewers at different points as the sequence of events unravel. Scenes remain silent and still; not for long though, but long enough to make you fret. There are ample blood curdling moments and also sequences that spice up the proceedings. It's a voyeuristic experience for the viewer. It's like the guy in the movie bugging the place and showing you his personal encounters.

On the flipside, the film stagnates for a few minutes in the post-interval portions, but perks up again and maintains the pace till the very conclusion. Though the film is short in duration, with a running time of approx 100 minutes, you still feel that things could've been spruced up towards the middle of the second half. Also, the card at the end, which shares vital info on the characters and the conclusion, could've had a longer stay for it to register well. Yet, all said and done, these are minor blemishes that don't really take away much from the efforts of the rest of the film.

The quintessential couple, Ragini [Kainaz Motivala] and Uday [Raj Kumar Yadav], set out to have a dirty weekend at a friend's farmhouse on the outskirts of Mumbai. The weekend getaway quickly changes gears as they find themselves in a house that has been rigged with cameras in Bigg Boss style. The cameras that were meant to capture love-making are witness to something that is beyond the realm of human understanding... something metaphysical...

Within the confines of this house, Ragini and Uday are now at the mercy of an unexplainable paranormal force. With sundown approaching, what will the new entrants of the house do?

RAGINI MMS is one more film that signifies the altering face of Hindi cinema. A fry cry from the horror films churned out till a few years ago, this one borrows inspiration from the talked-about PARANORMAL ACTIVITY [the technique of shooting both films is same] and gives it the desi feel. Actually, a film like RAGINI MMS is not for those looking for conventional horror films, with women in white saris singing songs and disappearing in the night. This one has a very western approach, yet is very desi at heart.

Along with the horror genre, there is a certain emotional aspect in the story as well, which shows how the guy lures the girl under the pretext of love in order to take a video clip of her and sell it. The director as well as the DoP [Tribhuvan Babu] ensures that the hand-held camera footage as also the cinematography in general are in sync. There's no scope for songs in the film and portions of the songs, inserted at places, are well juxtaposed in the sequences. However, I'd like to make a special mention of the background score [Faizan-Agnel]. It's more than just throbbing music, digitized screams and high-pitched shrieks.

Both Raj Kumar Yadav [seen in LOVE SEX AUR DHOKHA] and Kainaz Motivala are truly wonderful. Shedding all inhibitions aside, the actors deliver striking performances. The steamy scenes between them look realistic and those explicitly intimate moments only add to the realistic mood of the film.

On the whole, RAGINI MMS amalgamates components of horror, paranormal and sex seamlessly. It titillates, it petrifies, but most importantly, it tells you a story which is daunting, imaginative and unconventional. The lethal combo of sex and horror should entice not just the average moviegoer, but also Gen X and the more evolved audience that values and embraces innovative themes and new genres of cinema.

Veera Telugu Online Movie Full 2011 And Review

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Veera Telugu Online Movie Review 2011:

Movie Name : Veera
Banner : Sanvi Productions
Cast : Ravi Teja, Kajal Agarwal, Tapsee,Sridevi Vijayakumar, Prakash Raj, Pradeep Rawat, Roja, Brahmanandam, Rahul Dev
Music Director : Thaman S
Cinematography : Chota K Naidu
Producer : Ganesh Indukuri
Director : P Ramesh Varma
Veera Is a Ravi Teja Mark Movie, Raviteja Doing Duel Role as Venkata Satyanarayana and Deva. Two Bubly Heroines Sharing their roles with Raviteja. kajal Agarwal Doing a mass role called Kabaddi Chitti and tapsee doing software eingineer role.
Story :
Ravi Teja (Veera) Appointed as a security officer to ACP Syam (Syam Sundar) who has conflicts with a Local Don Rahuldev. Rahuldev Targets ACP’s Family. ACP’s Daughter tapsee(Aikey) Fall In Love with raviteja But Her Mother doesn’t like him she behave very rude to him.After Some scenes ACP Found that Ravi Teja is not a government appointed officer. then who is veera? why he come here? what does he do is the Story? Where is the Government appointed Officer?
Analysis :
Director P Ramesh Varma get an Interesting story with a nice presentation but the narration was baaad.
There are no punches in Dialouges.
The screenplay was so so.
The script doen’t have much grip.
Background Scores good.
Editing was ok.
Kajal Agarwal and Tapsee looks Spicy
Sridevi, Pradeep Rawat and Brahmanandam performence was ok
all the others were not so good
Plus Points :
Raviteja Performence
Sonngs
Heroines Spicy Looks
Minus Points :
Except all the above
Conclusion :
The whole film has a very poor comedy and silly scenes.
first half is so so but the second half getting more boring.
No points in the movie to connect with audiance. Only stardome may pull the people towards the theater
Verdict : 1.75/5

Seema Tapakai 2011 Telugu Online Movie Full

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100% Love Telugu Online Movie Full 2011 (Updated)

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