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Pyaar Ka Punchanama Hindi Online Movie And Review 2011
Watch Pyaar Ka Punchanama Hindi Online Movie And Download Free DVD Rip Full 2011
Pyaar Ka Punchanama Hindi Movie Review 2011:
Love, ishq, pyaar, mohabbat is in the air. And Bollywood seems enthralled by it. LUV KA THE END and LOVE U... MR. KALAKAAR! have released, PYAAR KA PUNCHNAMA opens this Friday, while KUCCH LUV JAISAA, A STRANGE LOVE STORY and LOVE EXPRESS are slated for release in the coming weeks. In my career spanning three decades, I have never witnessed so many movies with similar sounding titles releasing in such a short span. Oh yes, Bollywood is incomplete without love stories, but the frequent usage of the word 'Love' has been a rarity. These films, at least those that have released [LUV KA THE END and LOVE U... MR. KALAKAAR!], were aimed at enticing the youth -- their target audience. PYAAR KA PUNCHNAMA does that as well.
Deemed as the most dependable genre [youth-centric rom-com], PYAAR KA PUNCHNAMA is amusing, witty, sharp and contemporary, but it does some serious talking as well. Oh yes, it arrives with zilch expectations [bunch of new actors, new director, team of new composers are responsible for this entertainer], but the efforts are worth it and the time, well spent. First-time writer-director Luv Ranjan ensures that there are wild-whacky moments aplenty, but he also smartly integrates heavy-duty drama towards the concluding moments that camouflage the rough ends in the narrative.
Write your own movie review of Pyaar Ka Punchnama PYAAR KA PUNCHNAMA is young at heart and contemporary. Having said that I'd like to add that it's not for those who relish the conventional rom-coms. The conservative and old school types may find the portions blasphemous and sacrilegious. Also, the film may be perceived as a sex comedy on the lines of AMERICAN PIE, but there's more to it. It's actually a satire on love and relationships.
PYAAR KA PUNCHNAMA packs a solid punch, but you can't overlook the hiccups in this journey as well. Firstly, it takes a really long time to reach the finale. The creators of this film may argue, there are three stories to be told, but let's look at it objectively. The story stagnates in the middle of the second hour. Had the writer-director used restraint by narrating the three stories in a concise format, I am very sure, the impact would've only been razor-sharp and far more compelling that what it is.
Rajat [Kartik], Chaudhary [Raayo] and Liquid [Divyendu] are stuck in their boring jobs and crave for women to add some spice into their lives. The unfortunate Rajat soon finds one in Neha [Nushrat]. It is all so good and rosy till Rajat moves in to live with her. Chaudhary meets Riya [Sonalli], but she's still stuck with Varun [Padam], her boyfriend of five years. Liquid and Charu [Ishita] become friends at work. Charu likes him, but only as a friend. She is already committed to her long-distance beau, Abhijeet [Ravjeet]. Liquid takes his best friend role very seriously, only to end up being used in the process. This is the story of three guys and the tumultuous relationships they share with the women in their lives.
PYAAR KA PUNCHNAMA isn't ground-breaking or pioneering cinema, but I have to state, it puts the fun quotient back into the movies due to its unsullied take on relationships, which snowballs into heavy-duty drama as it reaches the finale. Let this not mislead you that it's a sex-comedy with lewd jokes, sensual scenes and colorful lingo. It's not. As a matter of fact, the lingo is straight out of life, laced with some crackling and witty one-liners. Exactly the way the metropolitan youth communicate in their everyday tête-à -tête.
What also works in its favor is the fact that it's not the boy-meet-gal-and-they-live-happily-thereafter kind of beaten to death plot. It's a fresh take on relationships -- the relationships blossom, guys become puppets, but break free eventually. Besides, the choice of actors -- new faces all -- makes you relate to the characters even more. After all, they arrive without the baggage of an image.
Luv Ranjan knows the grammar of film-making right. Everything that you see seems straight out of life. He strikes the right balance between fun-n-frolic and somber-n-serious moments. Particularly noteworthy are the sequences in the finale, when the three boys have terrible heartaches and break down inconsolably. Prior to that the sequences that lead to the drift are well penned and dexterously executed. The film has an energetic musical score, complimenting the genre of the film. 'Ishq Na Kariyo Kaake' [composer: Clinton Cerejo] and 'Kutta' [composer: Luv Ranjan] are youth-friendly tracks and both have been lapped up by viewers. Sudhir K. Chaudhary's cinematography is first-rate.
Now to the performances. The newcomers, all actually, are confidence personified. The show-stealer is the plain looking Divyendu; you take to his character and also his performance instantly. He is simply outstanding! Kartik is a bit awkward initially, but his performance grows on you gradually. He's incredible during the final moments of the film. Raayo is confident, polished and completely in sync with his character. He conveys a lot through his eyes, which is the hallmark of a fine actor. The camaraderie between these three guys is superb. Amongst the girls, it's Nushrat who walks away with a powerful role and a power-packed performance. Ishita is efficient, especially in the sequence when she lashes out at Divyendu. Sonalli is perfect for her part.
On the whole, PYAAR KA PUNCHNAMA has a single-point plan of engaging and amusing the spectators by telling a story which is unusual, yet relevant. It's radiantly good cinema that needs to be lauded and encouraged. Strongly recommended, go for it!
Vaishali Telugu Online Movie Free Full And Review 2011
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Vaishali Telugu Movie Review:
Jeevi rating: 3/5
Punchline: Supernatural thriller
Genre: Thriller/Romance
Type: Dubbed (Eeram in Tamil)
Banner: Sri Venkateswara Creations
Cast: Aadhi, Sindhu Menon, Nandhu & Saranya Mohan
Music: Thaman
Cinematography: Manoj Paramahamsa
Story - screenplay - Direction: Arivazhagan
Producers: Dil Raju & Shankar
Release date: 27 May 2011
Theater watched: screen 2, Prasads, Hyderabad
Review
Story
Vasu (Aadhi) falls in love with Vaishali (Sindhu Menon) during their college days. Vaishali accepts the love of Vasu but clarifies him that her father’s approval is a must for the marriage. Her father disapproves Aadi and marries his daughter off to another guy. After a few years, Aadi becomes an IPS officer and Vaishali kills herself. Aadi is given the responsibility of the investigation. The rest of the story is all about how Aadi cracks the case and brings guilty to book.
Artists Performance
Aadhi (son of Raviraja Pinisetti) has sharp features and suited the author-backed role really well. His expressions are subtle and body language is effective. Sindhu Menon does a fantastic job in the title role which is bound to attract lot of sympathy. Saranya Mohan played the role of Sindhu’s sister and she is efficient. Nandha who did the role of Sindhu’s husband carries off himself well.
Technical departments
Story - screenplay - direction: It is a super-natural thriller that is dealt in a realistic way. Debutant director Arivazhagan Venkatachalam comes up with a film of new genre that deals with love, relationship, supernatural elements, investigations and societal nature in typical apartment dwellers. The director has stuck with an innovative narration throughout the movie. He is also technically very sound.
Other departments: Manoj Paramahamsa’s (Ye Maya Chesave fame) cinematography is of top-rate. He maintained uniform texture for the entire movie. Music by Thaman is a revelation. Thaman who has given popular music for several Telugu films like Kick, Brindavanam and Mirapakai has shown the other side of him with the music he has provided for this movie. Music (both songs and background music) is suave and technically brilliant. Production values and dubbing by the producers Shankar and Dil Raju are flawless.
Analysis: This film is the dubbed version of Tamil’s blockbuster Eeram. First half of the film is very gripping. Second half should have been more compact. It is a supernatural crime thriller and is very different from the films we see in Telugu. The success of the film will depend on how Telugu movie lovers embrace the supernatural aspect of the movie. It’s a technically good movie and is worth dubbing in Telugu. And makes a decent watch
Ready Hindi Online Movie 2011 And Review
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Ready Hindi Online Movie Review:
Ready
Language: Hindi
Release: 3rd June, 2011
Directed by Anees Bazmee
Salman Khan had started a new genre of movie in Hindi from Wanted, mass masala movies in the likes of early 2000s Tamil and Telugu movies. That genre have its own formula like 2 to 4 fights, 5 songs, few comedy scenes, one girl, one or two ‘gana’ song (Dappankoothu songs), a long action scene in the climax and a happy ending. To list movies with this formula from Tamil or Telugu need few pages, and in Hindi – it all started with Wanted, continued with Dabangg and Salman Khan is back with the same formula, Ready.
Formula is simple now: Salman Khan + 2 Gana Song + few comic scenes to entertain.
Are you ready to leave your sense at home? Then you will have an entertaining section here. Ready is a movie which can be enjoyed as much as your flexibility of acceptance of logic less scenes.
A freak youth, Prem is a part of a very happy joint family. In a comic accident, Prem and his friends meets Sanjana, who was running away from her relatives. After few slope incidents Prem helps Sanjana to be in his residence and she wins everybody’s attention and heart. Everything looked cool until Sanjana’s past is revealed. Few villains from her past take her back to where she was earlier. Prem and his team sketch a terrific plan to get Sanjana back.
Story of the movie is nothing new nor have anything fresh for a Telugu film viewers while it might bring something relatively different feeling for North viewers. The movie starts slowly with few comic encounters by the macho man, Salman Khan. His quarrel with Asin brings nothing interesting except occasional laughs for Salman’s facial expressions.
Post interval viewers might wish for an early climax, but in drags as much as possible that too with many ‘so called’ comedy sequences were hardly anybody laughs. Everything leads to a rather ridiculous climax – the big, bold, goondas with different kind of creepy hair styles just changes to good, decent!!@#! People listening to the advices of Prem and his family!!!
Pluses:
· Dhinka Chika…, it comes two times. Thanks.
· Salman Khan and his one-liners
Minuses:
· Script
· Supporting cast
· Second half
· Logic
What makes the movie interesting at-least for few minutes: Two to three funny scenes in the first and second half which brings enough laughter from the viewers, (Paresh Rawal and Salman Khan initial combination scenes) and one action sequence for Salman Khan fans.
Performances: Salman Khan had zero scope to perform and had enough scope to entertain. His screen presence is the backbone of the movie along with the two songs. Asin!! What happened to this Ghajini girl!, she looks odd, doesn’t look attractive and she fails to impress with his comedy timing as well. She is getting badly repetitive. She has to be more careful with her selection of movies. Leaving her performance, she looks good pair with Salman Khan. Their onscreen chemistry is good Paresh Rawal is good and his combination scenes with Salman are extremely entertaining, still at the end actor of Paresh Rawal’s caliber deserves better role.
Music: Dhinka Chika.. scores high, enjoy the song with Salman Khan fans, Character dheela too is very entertaining. Cinematography: Is good.
Overall: Ready is a Salman Khan fiesta all the way, his presence in such a freaky role is enough to bring his fans for multiple viewing. Dhinka chika.. is the best part of the movie.
Strictly for Salman Khan fans
Rating: 5.5/10
Ready Hindi Online Movie 2011 And Review
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Ready Hindi Online Movie Review:
Ready
Language: Hindi
Release: 3rd June, 2011
Directed by Anees Bazmee
Salman Khan had started a new genre of movie in Hindi from Wanted, mass masala movies in the likes of early 2000s Tamil and Telugu movies. That genre have its own formula like 2 to 4 fights, 5 songs, few comedy scenes, one girl, one or two ‘gana’ song (Dappankoothu songs), a long action scene in the climax and a happy ending. To list movies with this formula from Tamil or Telugu need few pages, and in Hindi – it all started with Wanted, continued with Dabangg and Salman Khan is back with the same formula, Ready.
Formula is simple now: Salman Khan + 2 Gana Song + few comic scenes to entertain.
Are you ready to leave your sense at home? Then you will have an entertaining section here. Ready is a movie which can be enjoyed as much as your flexibility of acceptance of logic less scenes.
A freak youth, Prem is a part of a very happy joint family. In a comic accident, Prem and his friends meets Sanjana, who was running away from her relatives. After few slope incidents Prem helps Sanjana to be in his residence and she wins everybody’s attention and heart. Everything looked cool until Sanjana’s past is revealed. Few villains from her past take her back to where she was earlier. Prem and his team sketch a terrific plan to get Sanjana back.
Story of the movie is nothing new nor have anything fresh for a Telugu film viewers while it might bring something relatively different feeling for North viewers. The movie starts slowly with few comic encounters by the macho man, Salman Khan. His quarrel with Asin brings nothing interesting except occasional laughs for Salman’s facial expressions.
Post interval viewers might wish for an early climax, but in drags as much as possible that too with many ‘so called’ comedy sequences were hardly anybody laughs. Everything leads to a rather ridiculous climax – the big, bold, goondas with different kind of creepy hair styles just changes to good, decent!!@#! People listening to the advices of Prem and his family!!!
Pluses:
· Dhinka Chika…, it comes two times. Thanks.
· Salman Khan and his one-liners
Minuses:
· Script
· Supporting cast
· Second half
· Logic
What makes the movie interesting at-least for few minutes: Two to three funny scenes in the first and second half which brings enough laughter from the viewers, (Paresh Rawal and Salman Khan initial combination scenes) and one action sequence for Salman Khan fans.
Performances: Salman Khan had zero scope to perform and had enough scope to entertain. His screen presence is the backbone of the movie along with the two songs. Asin!! What happened to this Ghajini girl!, she looks odd, doesn’t look attractive and she fails to impress with his comedy timing as well. She is getting badly repetitive. She has to be more careful with her selection of movies. Leaving her performance, she looks good pair with Salman Khan. Their onscreen chemistry is good Paresh Rawal is good and his combination scenes with Salman are extremely entertaining, still at the end actor of Paresh Rawal’s caliber deserves better role.
Music: Dhinka Chika.. scores high, enjoy the song with Salman Khan fans, Character dheela too is very entertaining. Cinematography: Is good.
Overall: Ready is a Salman Khan fiesta all the way, his presence in such a freaky role is enough to bring his fans for multiple viewing. Dhinka chika.. is the best part of the movie.
Strictly for Salman Khan fans
Rating: 5.5/10
Vaikuntapali Telugu Online Movie 2011 And Review
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Vaikuntapali Telugu Online Movie Review 2011:
Vaikuntapali Movie is the director had a very nice plot on hand, it is about how three friends move up and slide down in life that is compared to the snakes and ladders game - Vaikuntapali. It has an interesting character sketch, convincing and ingenuous performances but a confusing screenplay and disjointed episodes makes it fall short of being an engaging movie; it however has a touching climax wherein Krishnudu appears and expresses his gratitude to his pal.
Ajay (Kranti), Krishnudu (Chandu) and Ranadheer (Micheal) go through conflicting situations simultaneously yet they move on with life until a time arrives when each of their character takes a turn. The director portrays that there is goodness in every negative act and there is a certain amount of temptation, evil that changes with circumstances in every good human being.
Vaikuntapali is an apt title for the story, how people who think they are smart and are doing well are suddenly devoured by the snake in the game and those who are at rock bottom could surprise themselves climbing up the ladder of success. There are times when two players push each other and all of them might land in the same situation not meeting up with success. All this is based on goodness that we show and the resistance to temptation.
Chandu who dotes on his sick mother burgles an ATM in connivance with Micheal, a self-centred ambitious man, as they each need money for different needs. Kranti is a journalist who prefers the gun instead of the pen to settle scores with a corrupt society. There is another tiny parallel plot of Rajiv Kanakala and Satya Krishnan who enthuse life into the proceedings.
Unlike other mindless entertainment this one is fresh, could have been far better if the director had spent more time on the script and narrative. Despite the amateurish handling the actors wow you with their honest portrayals. Ajay surprises in a restrained role, Tashu Kaushik has a nice part, the romantic number could have done away with, Krishnudu is a natural and Ranadheer was brilliant.
Satya Krishna is back to her original self, looks sweet and perfect and Rajiv Kanakala like always is impressive, such a talented actor should be working in more films. If you are looking for a decent straight film in Telugu this week then Vaikuntapali it is, provided you ignore the structure and narrative.
Chalo Dilli Hindi Online Movie And Review 2011
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Chalo Dilli Hindi Online Movie Review 2011:
Film: “Chalo Dilli”
Starring: Lara Dutta, Vinay Pathak
Directer: Shashant Shah
Rating:
Once in a while you come away from a film with a lot more than you expected. Except for a somewhat flabby 15 minutes post-interval, “Chalo Dilli” sparkles with the pleasurable punchy emotions that we seem to have forefeited in our journey from the cinema of Basu Chatterjee to the present day films of the Kashyaps and Bazmis of the show-world that are all form and virtually no content… with very little contentment to take home.
“Challo Dilli” is a film with a lot of heart, and some soul. There are practically just two characters in the skillfully-conceived plot about two mismatched travelers on the road from Mumbai to Delhi via Jaipur and places in Rajasthan you had never known about until now.
That the two seemingly-incompatible traveling companions are played by Lara Dutta and Vinay Pathak is a stroke of good fortune that takes the story much further than it would have gone in the hands of two other actors. Before any more comment on the captivating product, let’s speak right away about Vinay Pathak, whose unorthodox personality and talent have been on the look-out for suitable resting places since the unforeseen success of “Bheja Fry” four years ago.
In “Chalo Dilli”, Pathak as the Dilliwala with a heart many sizes larger than his luck and bank balance sheds so much solar energy into the plot you feel grateful that someone out there in the mediocrity-infested entertainment industry looks out for talent like Pathak’s.
And Lara Dutta? Quite easily one of the most beautiful and underrated actresses of our times. She’s smart, sexy, savvy and supremely confident. What has stopped her from cracking the top rungs of stardom? You think about this quite frequently while watching her make all the correct moves as the hoity-toity investment banker who misses her flight but gains so much in terms of human experience that you wish we would all miss our flight if we don’t want to miss the bus as complete human beings.
Apart from the wrong use of the word ‘forcefully’ in place of ‘forcibly’ for Lara’s character the people in director Shashant Shah’s film remain true to their words.
Really, you can’t catch the people in Shashant Shah’s films making false moves. Whether it is the cabbie who falls asleep on the deserted highway, or the bashful truckdriver who gives Vinay and Lara a ride, or the rashogolla-sweet Bengali couple on the train, you can’t miss the heartwarming sincerity of this little film with a big heart.
Ironically Akshay Kumar strikes the only false note. When towards the end he appears to laugh out loud at Lara’s adventures he sounds as though he’s just being polite. Not quite the emotion that we expect in a film that is all heart. No two ways about it.
“Challo Dilli” follows that refreshing trend of capturing India’s heartland in all its sleepy supine splendour. It was Imtiaz Ali who in “Jab We Met” started the trend of making his protagonists travel across places in India that had gone out of favour in recent times. The recent “Tanu Weds Manu” carried forward the trend of traveling into the small towns.
“Chalo Dilli” is an absolutely enchanting and heartwarming journey into the heart and the heartland. Skilfully scripted and with credible dialogues (Arshad Syed) and situations that you immediately recognize it revives the joy of the road movie back.
Nope, you can’t imagine any other two actors but Lara and Vinay in the two main parts.
“Chalo Dilli” is a far more accomplished work than many of the big-budget monstrously unfunny comedies that infest the silver screen. Very often you find your face breaking into a smile as you watch the sophisticated female entrepreneur opening up her emotional vaults to the experiences that the Jaipur-Delhi route offer.
At one point in a roadside dhaba she stares pleasurably at the sunrise. ‘Iss mein kaun si nayi baat hai?’ guffaws the street-smart Pathak.
“Chalo Dilli” connects us to the basic element of the cinematic experience. It is all about the heart and the heartland.
- IANS
Shor In The City Hindi Online Movie Full Free 2011 And Review
Watch Shor In THe City Hindi Online Movie And Download Free DVD RIp 2011
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Shor In The City Hindi Movie Review 2011:
Film: “Shor In The City”
Starring: Tusshar Kapoor, Sendhil Ramamurthy, Sundeep Kishan, Pitobash Tripathy, Preeti Desai, Radhika Apte, Girika Oak
Directer: Raj Nidimoru, Krishna D.K.
Rating:
I saw the future of Hindi cinema. And it’s got a name. “Shor In The City”. They say Mumbai never goes to sleep. Catching the restless on-the-edge mood of a city and its people who refuse to fall off that edge of the hurtling local train that takes thousands of destinies every day to their work and then back home, “Shor…” throws forward the kind of seductive cinema that makes you think about the quality of life we all lead, irrespective of the city that we occupy, or rather, the city that occupies us.
Mumbai, in co-directors Raj Nidimoru and Krishna DK’s scheme of things, is that giant monster that consumes everything that moves. The characters are all casualties of that traffic-jam freedom that comes to a commuter stranded in the middle of a highway in a car with nowhere to go and nothing to do with time than to spend it in idle retrospection (with or without music playing in the background).
The mood of this tense, clenched and thoroughly gripping humane thriller is so spiritedly Mumbai-centric you applaud the director’s vision after the last shot of the work swishes by. The rapid movements of images of extreme emotional crises and the ensuing violence, are so skilfully put forward you don’t feel you are being manipulated into staying riveted to the screen. You flow with the frenzied pace of a people whose lives are out of control.
“Shor In The City” pins you down to its brilliant screenplay from the first frame when we see the three waylaid youngsters Tusshar, Nikhil Diwedi and Pitobash negotiate the crowded streets of Mumbai in search of prey. The characters work both as predators and as victims. They feel the gun gives them the right of way when, in fact, the traffic snarl of life has got them by their balls.
There are three protagonists with their ‘Mumbai’ stories to tell. Sawan (Sundeep Kishan) wants to play national-level cricket. Tilak (Tusshar) wants to give up a life of crime to focus on reading and housekeeping (in that order). But the most interesting strand in the lucid lineup of conflicted characters is the NRI Abhay (Sendhil Ramamurthy), whose dreams of setting up his own business in the city are turned into a nightmare by goons who muscle into his work-place and life with menacing insidiousness.
The interaction between the NRI and the goons is chilling to the core. So real because they sound so unrehearsed. Abhay’s lapse into a life that he had probably left behind, is charted in a zigzag of humour and irony.
The pace is so relentless, we don’t even get a chance to applaud the even narration that defines these jagged lives as they hurl towards a karma that we are not allowed to guess.
The co-directors succeed in remaining many steps ahead of the audience. The masterly editing (Ashmith Kunder) and the moody earthy cinematography (Tushar Kanti Ray) aids the director in building a conflagration of compelling montages that add up to a climax that doesn’t quite add-up…and rightly so. There are no neat conclusions to these lives that are stuck in their desperate bid to escape their karma.
Karma, the theme song tells you, is a bitch. Watching the people who move through their designated anguish with such furious fluency, you have to agree with the opinion that destiny deals a bitchy blow to most working-class people in the cities.
“Shor In The City” is a work suffused in an inspiring glory. The characterization is so precise and the dialogues so perfectly attuned to the minds and hearts of the characters you wonder which came first. The people in the film. Or the film itself.
I have not seen a film so filled with credible performances in a while. Even the smallest cameo is done by the perfect face and personality. Whom do we single out without doing injustice to the rest? But yes, Tusshar as the bad-boy finding salvation in books and wife gives an interesting spin to his character. This is a far cry from his over-the-top Golmaal escapades.
Nikhil Diwedi and newcomer Pitobash as Tusshar’s accomplices are entirely in tune with their characters blending so well with the milieu you are sure no one gave any of these actors a second glance on the streets of Mumbai where the script often ventures out.
Sundeep Kishan as the boy who wants to play cricket and get married brings a certain simplicity to the tangled goings-on. You could say he’s the voice of innocence in the cacophony of selfserving diabolism. Among the female characters Radhika Apte as Tusshar’s simple but strong wife reminded me of Tabu in “Viraasat”.
There are stand-out cameos by Amit Mistry (as a street goonda who specializes in organizing dharnas), Zakir Hussain (as an extortionist) and several other actors who bleed a brilliance into the plot for just fleeting moments before vanishing into the crowds of Mumbai.
Yes, the city has been savage and inviting before in the cinema of Raj Kumar Santoshi and Ram Gopal Varma. But never so funny. There’s a moment when a little boy whose foot Tusshar thinks has been blown away by a mistimed bomb, stands and dances in the Ganpati visarjan.
That moment defines the cutting edge of the humour in “Shor In The City”. If Mumbai is troubled by violence and greed it survives so splendidly because it never takes its problems to heart.
Don’t miss this outstanding ode to the city of dreams, goons, guns and glory.
- IANS
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